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Finished gold chains and rings arranged on dark stone.

— Maison since 2018 —

We do not believe in fast jewellery.

Every piece begins as a wax in our New York atelier — drawn, cast, set, and signed by the same hand that began it. This is the long way round. It is the only way we know.

— The Founder —

Mason Cole

"I drew it in a diner in Atlanta. Eight years later we still cast it from the same wax."

[PLACEHOLDER: client to replace] Mason Cole trained as a goldsmith before he was old enough to sign for the metal. He opened the atelier in 2018 with one bench, one vice, and a conviction that the people who wear real weight do not need to announce it.

[PLACEHOLDER: client to replace] He still sets every commission himself. The house has grown; that has not changed, and it is not going to.

A goldsmith at work at the atelier bench.

— Craftsmanship —

Drawn, cast, set, and signed by one hand.

Five steps, in the order they happen. The wax is the third of them, and the last moment a design can still change its mind.

A carved wax model of a ring on the jeweller's bench.
01

The drawing

Nothing is cut before it is drawn and agreed. A commission that is wrong on paper is wrong in gold, only more expensively.

02

The wax

Each piece begins as a carved wax — the last moment a design can still change its mind.

03

The cast

Lost-wax casting in solid metal. The wax is destroyed to make the piece; there is no second attempt from the same original.

04

The setting

Stones are set by hand, one at a time, under a loupe. This is the slow part, and the atelier does not shorten it to meet a date.

05

The finish

Filed, polished, and stamped with the maker's mark. Nothing leaves the bench unsigned.


— Materials —

Weight you can feel, or we will not sell it.

[PLACEHOLDER: client to replace — state your real metal and stone standards here. This is the most consequential claim on the site; see also the Authenticity page.]

Solid metal throughout — never filled, never plated over base. Stones are chosen by eye at the bench and rejected freely; a clean setting is worth more than a large one.

Gold is soft by nature. That is precisely why it takes a finish nothing else takes, and why we tell you how to look after it rather than pretending it is armour. Repairs & Care →


— Sustainability —

The most sustainable piece is the one you never replace.

[PLACEHOLDER: client to replace — every claim in this section must be verifiable. Sourcing and recycled-content claims are regulated in several markets; do not publish one the atelier cannot evidence.]

We make to order rather than to forecast, so the atelier does not cast what nobody asked for. Bench scrap is collected and refined back into stock.

We repair for life. A house that sells you the same chain twice has not made a good chain.


— Press —

Enquiries & assets

For interviews, imagery, or loans, write to [EMAIL]. The press kit — logos, product photography, and founder portraits — is available on request.

[PLACEHOLDER: client to replace — list real coverage here, or delete this section. Do not list a publication that has not written about the house.]

Choose what is, or design what could be.

Signature Pieces → Your Vision ✦